A Post-Darwinian Fable
Canine Narration in The Call of the Wild
Bibliographic Data
| ID | 22258704 |
|---|---|
| Authors | Xin Zhang (0000-0003-0184-5868, Xiamen University, corresponding author) |
| Year | 2024 |
| Volume | 5 |
| Issue | 5 |
| Pages | 5-11 |
| Publication date | 2024-06-29 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Critical Studies in language and literature (JOURNAL) |
| Journal identifiers | ISSN: 2732-4605 • E-ISSN: 2732-4605 |
| Publisher | Global Talent Academy (PUBLISHER) |
| DOI | 10.46809/jcsll.v5i5.281 |
| OpenAlex | W4400174288 |
| Language | EN |
| References cited | 4 |
The paper reads Jack London’s The Call of the Wild as a post-Darwinian fable that challenges the anthropomorphism and sentimentality in the notoriously charged genre of the animal fable. London’s post-Darwinian representation of canine narration in an evolutionary continuum seeks to deconstruct the inherent hierarchy embedded in the fable. Through a reconciliation of the animal fable’s internal and external conflict, London aims to draw an ethical critique of amoral aspects of social Darwinism that underlies the American industry culture at the turn of the century. The remapping of humanity/animality, progression/regression, and the society/the wild within a bispecies environment for coevolution embodies London’s endeavor to rescue the reputation of the genre of fable from a conventional naturalist mode. London’s proclaimed vigor and science in the critique of animal fable further aspire to redeem the feminized professionalism of writing
Aesthetics · Art · Darwinism · Epistemology · Fable · Humanity · Literature · Narrative · Sentimentality · Sociology · Theology · American and British Literature Analysis · American Literature and Culture · Crime and Detective Fiction Studies · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |