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The Vampire, the Queer, and the Girl

Reflections on the Politics and Ethics of Immortality's Gendering

Bibliographic Data

ID2226244
AuthorsKimberly J Lau (University of California, Santa Cruz, corresponding author)
Year2018
Volume44
Issue1
Pages3-24
Publication date2018-09-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSigns: Journal of Women in Culture and Society (JOURNAL)
Journal identifiersISSN: 0097-9740 • E-ISSN: 1545-6943
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.1086/698274
OpenAlexW2886768158
LanguageEN
Citations received1
References cited23

This article reads Neil Jordan’s 2012 film Byzantium as a bridge between two distinct vampire vogues: one nineteenth century, masculinist, and queer; the other twenty-first century, heterosexualized, and focalized through the girl. In general, the vampire challenges chrononormativity, both because he enjoys a fantastic immortality and is associated with queerness and because the very genre of which he is a part is highly formulaic and intertextual, which produces a recursive form. This recursivity means that the vampire is perpetually defined by an open secret, the characteristic disjuncture between what the audience already knows and what the characters cannot see; for characters and readers in the know, this open secret also condenses codes of queer recognition. Byzantium, as the hinge between the two vampire vogues, uses the figure of the girl to play with both the vampire narrative’s reiterative history and the vampire’s open secret in ways that simultaneously draw out the gendered limitations of the first vogue’s queer resistance to chrononormativity and recuperate the second vogue’s purported depoliticization. In so doing, the film challenges the implicit heteronormativity of mortality and encourages a rethinking of immortality as an ethical project

Aesthetics · Art · BELLA · Bridge (graph theory) · Girl · Heteronormativity · Immortality · Literature · Narrative · Political science · Politics · Queer · Sociology · Vampire · Gender Studies · Gender, Feminism, and Media · Gothic Literature and Media Analysis · Law · Psychology · Sexuality, Behavior, and Technology

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Unique citing works1
Citations per year0,25
Citation span2022 - 2022 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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