Painting a true Christ
Art as collaboration with the creator spirit
Bibliographic Data
| ID | 22264358 |
|---|---|
| Authors | Chris E W Green (Southeastern University, corresponding author) |
| Year | 2022 |
| Volume | 42 |
| Issue | 1 |
| Pages | 58-71 |
| Publication date | 2022-01-02 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Pentecostal and Charismatic Christianity (JOURNAL) |
| Journal identifiers | ISSN: 2769-1616 • E-ISSN: 2769-1624 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/27691616.2022.2042046 |
| OpenAlex | W4214863530 |
| Language | EN |
| References cited | 7 |
Terrence Malick’s A Hidden Life (2019) not only tells the story of Franz Jägerstätter but also depicts Malick’s deeply Catholic understanding of art and the artist’s vocation, an understanding that portrays art, and in particular art that seeks to witness to the truth Jesus Christ embodies, as a kind of costly obedience. The author explores Malick’s Catholic vision of art and its implications for Pentecostal ministry
Aesthetics · Art · Art history · Christian ministry · Obedience · Painting · Theology · Witness · Digital Media and Philosophy · Ethics, Aesthetics, and Art · Philosophy · Psychology · Visual Culture and Art Theory
| Highly cited | No |
|---|