Precarity and Motherhood in Philippine Trans Cinema
Bibliographic Data
| ID | 22265483 |
|---|---|
| Authors | Mikee Inton-Campbell (California State University, San Marcos, corresponding author) |
| Year | 2022 |
| Volume | 1 |
| Issue | 3 |
| Pages | 44-52 |
| Publication date | 2022-01-31 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Akda The Asian Journal of Literature Culture Performance (JOURNAL) |
| Journal identifiers | ISSN: 2782-8875 • E-ISSN: 2782-8875 |
| Publisher | De La Salle University (PUBLISHER • PH) |
| DOI | 10.59588/2782-8875.1023 |
| OpenAlex | W4385509232 |
| Language | EN |
| Citations received | 1 |
| References cited | 9 |
In this short essay, I reflect on representations and themes in trans cinema in the Philippines. I examine the emerging and intersecting themes of precarity and motherhood in two recent films –Rod Singh’s Mamu and a Mother too (2018), and Isabel Sandoval’s Lingua Franca (2020). I look at how economic and social precarity tends to pervade the lives of trans women, and how transness itself becomes a form of precarity under the legal system’s lack of accommodation to trans rights. I also examine trans motherhood and make the argument that while it destabilizes biology as the root of motherhood, it also reifies traditional tropes of Filipina motherhood that center it on self-sacrifice. Finally, I look at how precarity and motherhood intersect in Philippine Trans Cinema
Accommodation · Aesthetics · Art · Art history · Movie theater · Precarity · Sociology · Gender Politics and Representation · Gender Studies · Gender, Feminism, and Media · Psychology · Sex work and related issues
| Citations per year | 1 |
|---|---|
| Citation span | 2025 - 2025 (1) |
| Highly cited | No |