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The Ecology of Form

Bibliographic Data

ID2228492
AuthorsDevin Griffiths (0000-0001-8128-3011, corresponding author)
Year2021
Volume48
Issue1
Pages68-93
Publication date2021-09-01
Open AccessNo
TypeARTICLE
VenueCritical Inquiry (JOURNAL)
Journal identifiersISSN: 0093-1896 • E-ISSN: 1539-7858
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.1086/715980
OpenAlexW3194517697
LanguageEN
Citations received3
References cited36

This article intervenes in recent formalist and ecocritical debates, drawing on the philosophy of Charles Darwin and Édouard Glissant to develop an ecopoetic theory of relational form. Gathering perspectives from ecocriticism and new materialism, literary criticism and comparative literature, the history and philosophy of science, postcolonial theory, critical race theory, and Black studies, it reads form as an interdisciplinary object that is part of the world, rather than an imposed feature of human language or perception. In this way, it produces a relational theory of form that is not hylomorphic or defined through the relation between form and content but, rather, is defined by the relation between a content and extant and, so, an interaction of relation and repetition. Drawing on the history of ecological science, it further explores how forms combine, how they amplify and interfere with each other, and how they support relations of harm and care. Finally, it uses this ecopoetic theory of form to read the histories of racial violence and migration in Matthew Arnold's "Dover Beach" (1867) and Helen Oyeyemi's White Is for Witching (2009

Biology · Geography · Art, Politics, and Modernism · Ecocriticism and Environmental Literature · Ecology · Geographies of human-animal interactions

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Citations per year1.5
Citation span2024 - 2026 (3)
Highly citedNo

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