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San Juan Does Not Look like Us

Popular Catholicism and Blackness in Venezuela

Bibliographic Data

ID2230028
AuthorsNadia Mosquera Muriel (0000-0002-7449-0781, corresponding author)
Year2024
Volume32
Issue1
Pages14-26
Publication date2024-04-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTransforming Anthropology (JOURNAL)
Journal identifiersISSN: 1051-0559 • E-ISSN: 1548-7466
PublisherWiley (PUBLISHER • GB)
DOI10.1086/730091
OpenAlexW4394768802
LanguageEN
References cited22

This article explores Afro-Venezuelan festivals organized around the figures of patron saints: San Juan Bautista, San Benito de Palermo, and San Juan Congo. I argue that the meanings attributed to their religious iconography in Venezuela channel cultural contestations against white supremacy elements embedded in the narrative of racial mixture, or mestizaje, in Latin America. I examine how the production of meanings about Blackness and ideas of skin color and racial identity are entangled with religious and Afro-Catholic cultural expressions in Venezuela historically shaped by plantation regimes, Catholic Church hegemony, and centuries of racism. However, during the period of the Bolivarian Revolution (1999–present) and the introduction of politicized meanings and expressions for Afro-Venezuelan groups, the skin color and racialized identity attributed to San Juan Bautista, San Benito Palermo, and San Juan Congo have subtly polarized religious believers into opposing groups that ultimately question the ideological fiction of racial democracy in Venezuela

Art · Humanities · Political science · Latin American and Latino Studies · Philosophy · Politics and Society in Latin America · Religion and Society in Latin America · Religious studies

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Highly citedNo

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