Контрдискурс по-русски, или sottisier à la russe
Повесть Н. С. Лескова «Полунощники»
Bibliographic Data
| ID | 22301116 |
|---|---|
| Authors | Н С Найденова (Кафедра иностранных языков, Российский университет дружбы народов, ул. Миклухо-Маклая, д. 10/2, RU-117198 Москва E-mail: [email protected], corresponding author) |
| Year | 2016 |
| Volume | 61 |
| Issue | 1 |
| Pages | 223-232 |
| Publication date | 2016-06-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Studia Slavica Academiae Scientiarum Hungaricae (JOURNAL) |
| Journal identifiers | ISSN: 0039-3363 • E-ISSN: 1588-290X |
| Publisher | Akademiai Kiado Zrt. (PUBLISHER • HU) |
| DOI | 10.1556/060.2016.61.1.14 |
| OpenAlex | W2484067756 |
| Language | BG |
| References cited | 1 |
In this article, the author attempts to apply the concept of counter-discourse developed by R. Terdiman on the basis of research of the French literature of the 19th century to studying the language game in Полунощники [At Midnight] by N. Leskov. The discourse analysis of the novel reveals that the author’s counter-discourse is built on the “sottisier” collected by the writer throughout his life, where commonplace utterances subjected to “re/citation” acquire a whole new meaning
Art · Citation · Epistemology · Language-game · Library science · Linguistics · Literature · Meaning (existential) · Midnight · Sociology · Computer Science · Discourse Analysis and Cultural Communication · Education, Literature, Philosophy Research · Language, Communication, and Linguistic Studies · Philosophy
| Highly cited | No |
|---|