Spätwerk Beethovens
Bibliographic Data
| ID | 22305205 |
|---|---|
| Authors | Hans Heinrich Eggebrecht (corresponding author) |
| Year | 1997 |
| Issue | 52 |
| Pages | 143-154 |
| Publication date | 1997-12-30 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Anuario Musical (JOURNAL) |
| Journal identifiers | ISSN: 0211-3538 • E-ISSN: 1988-4125 |
| Publisher | Editorial CSIC (PUBLISHER) |
| DOI | 10.3989/anuariomusical.1997.i52.292 |
| OpenAlex | W4247922227 |
| Language | EN |
The latter production of Beethoven is distinguished by an increase of those features about the man and the composes, that can be described as Beethoven's ethical center. As far as Beethoven improves the many different traditions of musical forms in his latter piano sonatas, the Ninth Symphony, the Missa Solemnis, and his latter string quartets, appears the ethical message of his music conditioned because of he was an advanced age, even though every time in a different way, so that we cannot speak about a unified latter style of Beethoven's latter production. The messages analyzed in this article are about a present of internal peace, joyfulness and Utopia of the reconciliation, pray for peace, and thanks for lifetime
Computer Science · Music Technology and Sound Studies · Musicology and Musical Analysis
| Citation velocity | historical |
|---|---|
| Highly cited | No |