The placement of sound in artistic contexts
Bibliographic Data
| ID | 22319334 |
|---|---|
| Authors | Karen Lauke (Arts Council, corresponding author) |
| Year | 2010 |
| Volume | 9 |
| Issue | 1 |
| Publication date | 2010-07-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Body, Space & Technology (JOURNAL) |
| Journal identifiers | ISSN: 1470-9120 • E-ISSN: 1470-9120 |
| Publisher | Open Library of the Humanities (PUBLISHER) |
| DOI | 10.16995/bst.114 |
| OpenAlex | W602687873 |
| Language | EN |
| References cited | 2 |
There are a range of compositional approaches and techniques to consider when producing work of a sonic nature; from decisions about source material and location, to set-up configurations and sound diffusion. The presented case studies will examine approaches taken by the composer for indoor and outdoor spaces and discuss the artistic intention of each piece within a specified space. The case study examples will range from contemporary theatrical sound designs to sound art performance and audio-visual installations. Comparisons will be made between the various disciplines of sound art in relation to theatre sound in order to seek common ground and the suggestion of a sharing of practice
Acoustics · Aesthetics · Art · Sound art · Visual arts · Computer Science · Engineering · Multisensory perception and integration · Music Technology and Sound Studies · Neuroscience and Music Perception
| Highly cited | No |
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