An Investigation into Composing Visual Music Today
Bibliographic Data
| ID | 22319356 |
|---|---|
| Authors | Julie Watkins (0000-0001-8872-7041, corresponding author) |
| Year | 2017 |
| Volume | 16 |
| Issue | 0 |
| Publication date | 2017-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Body, Space & Technology (JOURNAL) |
| Journal identifiers | ISSN: 1470-9120 • E-ISSN: 1470-9120 |
| Publisher | Open Library of the Humanities (PUBLISHER) |
| DOI | 10.16995/bst.9 |
| OpenAlex | W2609679552 |
| Language | EN |
| Citations received | 1 |
| References cited | 3 |
This paper will discuss an ongoing investigation into developing methodologies for composing new abstract visual music pieces. This practice-based research is historicised in relation to seminal artists whose works have helped to form the canon of visual music and composers, theorists and scientists whose work touches on the same problematic domain. This investigation highlights both the key seminal influences underpinning the new work and the innovations embodied within it. The methodologies developed through creating several visual music pieces over three years are carefully delineated, affording insights into key intersections of abstract visual music, the idea of synesthesia, and creating art that is less about the self and more about a shared experience
Aesthetics · Art · Cognitive science · Embodied cognition · Perception · Synesthesia · Underpinning · Visual arts · Art Education and Development · Art, Technology, and Culture · Computer Science · Engineering · Music Technology and Sound Studies · Psychology · Artificial Intelligence
| Citations per year | 0.13 |
|---|---|
| Citation span | 2018 - 2018 (1) |
| Highly cited | No |