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The Cuban-American Sound Machine

Nostalgia and Identity in the Music of Celia Cruz, Gloria Estefan and Pitbull

Bibliographic Data

ID22326323
AuthorsHoracio Sierra (Bowie State University, corresponding author)
Year2018
Volume10
Issue2
Publication date2018-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueInternational Journal of Cuban Studies (JOURNAL)
Journal identifiersISSN: 1756-3461 • E-ISSN: 1756-347X
PublisherPluto Journals (PUBLISHER • GB)
DOI10.13169/intejcubastud.10.2.0238
OpenAlexW2908881598
LanguageEN
Citations received1
References cited9

This article examines how Celia Cruz (1925–2003), Gloria Estefan (born 1957) and Pitbull (born 1981), each of whom represents different generations, immigration statuses, gender performances and racial identities, have employed their musical hits and public personae to simultaneously shorten and widen the 90-mile distance between the US and Cuba. Their musical and political commentary parallels the evolving attitudes and identities of the Cuban-American community towards Cuba and its politics. Each successive artist is a little more ambiguous about his or her political leanings in the American political sphere, but all of them continue to oppose Cuba's Communist regime while trading in the musical currency of nostalgia for the Cuba of yesteryear. In the vein of Gustavo Pérez Firmat's watershed analysis of Cuban-Americans' hyphenated identity, these artists demonstrate how Cuban-American identity exists in a liminal cultural space that lives in the present and plans for the future with one foot planted firmly in the fantasy of an Edenic past

Aesthetics · Art · Liminality · Literature · Musical · Political science · Politics · Sociology · Anthropology · Cuban History and Society · Gender Studies · History · Latin American and Latino Studies · Law · Music History and Culture

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Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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Open DOIOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae