Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Rhizomatic Cosmopolitan and Wilsonian Recursive Vision in Joe Turner’s Come and Gone

Bibliographic Data

ID22326587
AuthorsRoksana Dayani (0000-0002-3785-7919, Shiraz University, corresponding author), Bahee Hadaegh (0000-0001-5264-7680, Shiraz University)
Year2020
Volume10
Issue32
Pages7-25
Publication date2020-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueFolia linguistica et litteraria (JOURNAL)
Journal identifiersISSN: 1800-8542 • E-ISSN: 2337-0955
PublisherFaculty of Philology - University of Montenegro (PUBLISHER)
DOI10.31902/fll.32.2020.1
OpenAlexW3119353776
LanguageEN
References cited8

Being the constant wanderer for the lost identity in the polyethnic land of America, African Americans bear striking resemblance to the figure of flâneur with dialectical image of local and cosmopolitan citizen of the universe. The spirit of flânerie proves its geographical historical expansion in both postmodern and African American context while its performative action navigates it in dramatic texts. Hence, Wilsonian characters identical with constant existential quest for the lost self can be African American incarnations of flâneur. Drawing on Baudelaire’s definition and Benjamin’s theory of flâneur, this study seeks to demonstrate possible manifestations of African American flâneur in August Wilson’s Joe Turner’s Come and Gone (1986). Moreover, through Deleuze and Guattari’s postmodern theoretical concept of rhizome in A Thousand Plateau (1987), the study aims to explore the postmodern manifestation of flâneur and consequently manifest how it functions to be the means for Wilsonian postmodern recursive dramatic vision that represents mysterious aspects of African Americans life. Flâneur’s versatility appropriates it to be the quintessential manifestation of African Americans inasmuch as the latter’s multifaceted African nature can accommodate the former’s flexibility

Aesthetics · Art · Art history · Dialectic · Epistemology · Existentialism · Literature · Performative utterance · Postmodernism · Sociology · French Literature and Poetry · History · Literature and Culture Studies · Philosophy · Walter Benjamin Studies Compilation

  • The Stranger Flâneuse and the Aesthetics of Pedestrianism

    Isabel Carrera Suárez•Interventions•2015

  • Reverend Billy

    Jill Lane•TDR/The Drama Review•2002

  • A thousand plateaus

    Félix Guattari, Gilles Deleuze•A thousand plateaus•1987

  • Introduction

    Changnam Lee•Sociétés•2017

  • Tomorrow Never Comes

    Mary L Bogumil•Theatre Journal•1994

  • Walter Benjamin and the Arcades Project

    Beatrice Hanssen•Walter Benjamin and the Arcades…•2006

  • Flânerie for Cyborgs

    Open Access•R Shields•Theory Culture & Society•2006

  • The Newflâneur

    Awad Ibrahim•Cultural Studies•2008

Citation velocityhistorical
Highly citedNo

Tools

Open DOIOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae