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Adam Thirlwell’s Kapow! – the Montage Book

Bibliographic Data

ID22326676
AuthorsAndreia-Irina Suciu (University of Bacău), Mihaela Culea (0000-0002-1517-5028, University of Bacău, corresponding author)
Year2019
Volume10
Issue28
Pages27-44
Publication date2019-12-30
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueFolia linguistica et litteraria (JOURNAL)
Journal identifiersISSN: 1800-8542 • E-ISSN: 2337-0955
PublisherFaculty of Philology - University of Montenegro (PUBLISHER)
DOI10.31902/fll.28.2019.2
OpenAlexW2998984609
LanguageEN
References cited4

In the context of new times, new types of writing are created in order to meet the demands and wishes of the contemporary public. Printed books make no exception especially given that the reading of (especially printed) books has declined, despite variable statistics over the years. The book reading habits have thus decreased, so making printed books attractive to readers has been a matter of concern for contemporary writers like Adam Thirlwell, as illustrated in his novella Kapow! (2012). In line with the contemporary mind-set of revolutionizing the way in which narrative is presented and the technique in which it is composed, Thirlwell plays with readers’ conceptions and expectations about literary texts, producing a highly experimental work. Along with the montage/collage technique, which will be discussed in the present paper, such concepts as ergodicity, autofiction, metatextuality, paratextuality, metamodernism or altermodernism are central to a proper understanding of how Thirlwell’s novella works and represent highlights of the exploratory undertaking of this article. Keywords: ergodic literature; metamodernism; altermodernist fiction; contemporary autofiction; revolution of the text; intra-notes; collage/montage

Aesthetics · Art · Linguistics · Literature · Narrative · Novella · Visual arts · Computer Science · Contemporary Literature and Criticism · History · Philosophy · Themes in Literature Analysis

  • Postmodernist Fiction

    Brian Mchale•Postmodernist Fiction•2003

  • Cybertext, Perspectives on Ergodic Literature

    Judy Malloy, Espen J Aarseth•Leonardo Music Journal•1998

  • Notes on metamodernism

    Open Access•Timotheus Vermeulen, Robin Van Den Akker•Journal of AESTHETICS & CULTURE•2010

  • The Routledge Companion to Experimental Literature

    Eyal Segal•Poetics Today•2013

Citation velocityhistorical
Highly citedNo

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