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The Phenomenon of Religious Construction in the Japanese Graphic Novel (Manga)

Bibliographic Data

ID22336697
AuthorsOlga Mikhelson (0000-0003-4951-0418, corresponding author)
Year2024
Volume42
Issue1
Pages247-267
Publication date2024-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueState Religion and Church in Russia and Worldwide (JOURNAL)
Journal identifiersISSN: 2073-7203 • E-ISSN: 2073-7211
PublisherThe Russian Presidential Academy of National Economy and Public Administration (PUBLISHER)
DOI10.22394/2073-7203-2024-42-1-247-267
OpenAlexW4396652264
LanguageEN

The Japanese graphic novel - manga, and the closely related genre of animated films - anime, have long ceased to be regarded as only commercial. Being indeed influenced by Western popular culture, manga and anime at the same time absorbed the rich artistic tradition of Japan. Post-war manga, as a result of more than half a century of its development, has become a significant part of both Japanese and world culture. The interest for the Japanese graphic novel goes far beyond Japan. One of the notable features of this medium is interest in religion. There are many Shinto ideas and allusions; at the same time, as in popular culture forms, the manga shows religious syncretism, and along with Buddhist, Taoist and Confucian images, the artists include the elements of other religions, primarily Christianity. At the same time, the manga authors construct their own religious plots and entire religious systems reflecting significant religious processes taking place in society and influencing modern religiosity. In the article a special attention is paid to the natural religion of Hayo Miyazaki, reactualizing ancient Japanese traditions

Aesthetics · Art · Epistemology · Phenomenon · Visual arts · Comics and Graphic Narratives · History · Japanese History and Culture · Philosophy

Citation velocityhistorical
Highly citedNo

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