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Three Generations of Belarusian Historical Fiction in Prose and Verse

Inspiration and Iconoclasm

Bibliographic Data

ID22337255
AuthorsArnold Mcmillin (0000-0002-6883-9852, University College London, corresponding author)
Year2023
Volume14
Issue2
Pages285-301
Publication date2023-12-24
Open AccessYes
TypeARTICLE
VenuePrzegląd Wschodnioeuropejski (JOURNAL)
Journal identifiersISSN: 2081-1128 • E-ISSN: 2450-0828
PublisherUniwersytet Warminsko-Mazurski (PUBLISHER)
DOI10.31648/pw.9717
OpenAlexW4390268170
LanguageEN
References cited1

Beginning with attempts to deny or repress the very idea of Belarusian history, this article is devoted the use of historical themes by three generations of Belarusian writers, with the youngest first and ending with three from the middle generation who, as a rule, do not show the influence of their elders on themselves, nor do they seem greatly to influence the younger writers. All ages, however, are engaged in the same struggle to counter the anti-historical ideas propagated by the leadership of their country, and the younger writers bring a sometimes unusual, indeed iconoclastic, approach to this important task

Art · Art history · Iconoclasm · Literature · Eastern European Communism and Reforms · Engineering · European Cultural and National Identity · History · Linguistics and language evolution

Highly citedNo

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