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Sławomir Mrożek at the Tatar stage

The metamorphoses of Polish stage

Bibliographic Data

ID22337494
AuthorsM М Хабутдинова (0000-0001-8110-4001, Kazan Federal University), Mileusha Khabutdinova, Rezeda Mukhametshina (0000-0002-8222-6622, Kazan Federal University)
Year2018
Volume8
Issue2
Pages309-318
Publication date2018-11-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePrzegląd Wschodnioeuropejski (JOURNAL)
Journal identifiersISSN: 2081-1128 • E-ISSN: 2450-0828
PublisherUniwersytet Warminsko-Mazurski (PUBLISHER)
DOI10.31648/pw.3589
OpenAlexW3013419432
LanguageEN

In this article we analyzed the stage interpretation of Sławomir Mrożek’s play on the scene of Tatar theatre. The performance of “Shashkan babay” (“The mad grandfather”) play was staged on the 10th of February, 2016 by Karim Tinchurin drama and comedy theatre in Kazan. It was the first staging of Sławomir Mrożek’s in Tatar language. In this article we generalize the history of Sławomir Mrożek’s plays production waves in Russia. The specifics of Polish text interpretation by producer Rashid Zagidullin was outlined. We proved that “Shashkan babay” play production continues the best tradition of Russian and Polish theatres

Art · Comedy · Drama · Linguistics · Literature · Tatar · Cultural, Linguistic, Economic Studies · Eastern European Communism and Reforms · History · Philosophy · Security, Politics, and Digital Transformation · Geology

Citation velocityhistorical
Highly citedNo

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