Make or Break
Instability as an Aesthetic Tool in Progressive Austrian Literature from 1945 to 1955
Bibliographic Data
| ID | 22345847 |
|---|---|
| Authors | Heide Kunzelmann (0000-0002-1353-6950, corresponding author) |
| Year | 2015 |
| Volume | 48 |
| Issue | 3 |
| Pages | 89-108 |
| Publication date | 2015-09-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Austrian Studies (JOURNAL) |
| Journal identifiers | ISSN: 2165-669X • E-ISSN: 2327-1809 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/oas.2015.0047 |
| OpenAlex | W2261089200 |
| Language | EN |
| References cited | 5 |
This article centers on the potential of instability as an aesthetic as well as a political hermeneutic category, using the example of progressive literature in Austria between 1945 and 1955, during what is referred to as a “freeze” in Cold War discourse. In a bid to discuss the potential of the term instability for interdisciplinary analysis, it suggests that an “unstable equilibrium” (A. Okopenko) among the various aesthetic formations on the literary market in Austria during the first decade after 1945 was directly impacted by an equally unstable equilibrium among ideological positions in the Austrian version of a “transitional society” (Claude Ake)
Cold war · Economics · Ideology · Instability · Keynesian economics · Mechanics · Physics · Political instability · Political science · Politics · Sociology · Communism, Protests, Social Movements · European Cultural and National Identity · German History and Society · Law
| Highly cited | No |
|---|