Pausing the Pathological Afterimage
Bibliographic Data
| ID | 22347014 |
|---|---|
| Authors | Vicky Moufawad-Paul (Ontario Stroke Network, corresponding author) |
| Year | 2025 |
| Volume | 10 |
| Issue | 1-2 |
| Pages | 225-236 |
| Publication date | 2025-12-17 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Asian Diasporic Visual Cultures and the Americas (JOURNAL) |
| Journal identifiers | ISSN: 2352-3077 • E-ISSN: 2352-3085 |
| Publisher | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.1163/23523085-10120009 |
| OpenAlex | W7128530248 |
| Language | EN |
This article reflects on the ways that the last three decades have expanded possibilities for the creation and distribution of independently made images. Digital frameworks have provided unprecedented levels of access for marginalized experiences; those that capital deems expendable are now documented, circulated, and archived. Moufawad-Paul’s notion of “pathological afterimages” identifies the stakes of this visual phenomenon and suggests ways that engagements with the political moment through curatorial projects can convey knowledge beyond narrative logic
Afterimage · Biopower · Narrative · Phenomenon · Politics · Participatory Visual Research Methods · Photography and Visual Culture · Posthumanist Ethics and Activism
| Highly cited | No |
|---|