Historia de una bala de plata (1980)
Falsa descolonización en el Caribe y racismo psicosocial
Bibliographic Data
| ID | 22349800 |
|---|---|
| Authors | Yair Andre Cuenu-Mosquera (0000-0002-0190-7275, corresponding author) |
| Year | 2025 |
| Volume | 64 |
| Publication date | 2025-01-16 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Revista de Estudios Colombianos (JOURNAL) |
| Journal identifiers | ISSN: 2474-6800 • E-ISSN: 2474-6819 |
| Publisher | Asociacion de Colombianistas (PUBLISHER • US) |
| DOI | 10.53556/04vbjz15 |
| OpenAlex | W4406455900 |
| Language | ES |
Enrique Buenaventura spent much of his research/creative work on the human experience in the Caribbean. Focusing especially on the processes of conquest, independence struggles, and dictatorships, he constructed what he called the "Caribbean Trilogy": Historia de una bala de plata, Ópera bufa and La isla de todos los santos. From Frantz Fanon's paradigm of "false decolonization," a critical reading of the dramatic text of Historia de una bala de plata (1980) is offered, suggesting that enslavement produced a mental conditioning that can affect the trust that Black people can have among themselves
Art · Humanities · Cuban History and Society · Immigration and Intercultural Education · Philosophy · Youth Culture and Social Dynamics
| Citation velocity | historical |
|---|---|
| Highly cited | No |