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The Woman Question and Confucianism in Southern Vietnam during the Late Nineteenth and the Early Twentieth Century

From Kiều Nguyệt Nga to Sương Nguyệt Anh

Bibliographic Data

ID22351832
AuthorsThu Hien Do (0000-0002-7743-8081, Department of Vietnamese Literature, Faculty of Literature, VNU University of Social Sciences and Humanities Hanoi Vietnam, corresponding author)
Year2024
Volume15
Issue1
Pages227-251
Publication date2024-04-15
Open AccessYes
TypeARTICLE
VenueVienna Journal of East Asian Studies (JOURNAL)
Journal identifiersISSN: 2521-702X • E-ISSN: 2521-7038
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.30965/25217038-01501010
OpenAlexW4408873524
LanguageEN
References cited3

Kiều Nguyệt Nga is the main character in the well-known Nôm narrative poem Lục Vân Tiên by Nguyễn Đình Chiểu, the most famous Confucian scholar and poet of Southern Vietnam in the second half of the nineteenth century. This character represented the ideal of a woman for Nguyễn Đình Chiểu in Confucianism – viz. Sương Nguyệt Anh (1864–1921), who was Nguyễn Đình Chiểu’s fourth daughter. She was a poet and also the first female editor of a newspaper for women in Vietnam in modern times. This article examines the transformation of Confucian ideals from the literary character Kiều Nguyệt Nga to the historical figure of Sương Nguyệt Anh, who serves as a case study that contributes to clarifying the appearance of Confucianism and the woman question in the Southern Region during the late nineteenth and the early twentieth century. The popular and conservative Confucianism of Southern Vietnam had weakened under the influence of Western culture, but many elements were still reserved in the early twentieth century

Ancient history · Art · Literature · Neo-Confucianism · Chinese history and philosophy · Historical Studies and Socio-cultural Analysis · History · Vietnamese History and Culture Studies

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Highly citedNo

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