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Contemporary Chinese Oil Painting Between Iconography and Iconology

A Case Study from the People’s Republic of China’s 60th Anniversary Exhibition

Bibliographic Data

ID22351913
AuthorsCaterina Egenhöfer (corresponding author)
Year2014
Volume5
Issue1
Pages1-22
Publication date2014-11-23
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueVienna Journal of East Asian Studies (JOURNAL)
Journal identifiersISSN: 2521-702X • E-ISSN: 2521-7038
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.2478/vjeas-2014-0001
OpenAlexW2903924800
LanguageEN
References cited3

This paper seeks to analyse the iconographic and iconological significance of the 2009 exhibition Art Project conceming Irnportant Historical Issues of the Country (Guójiā zhòngdà lìshǐ tícái měishù chuàngzuò gōngchéng) . The exhibition was set up on the occasion of the 60th anniversary of the People’s Republic of China and was part of a series of cultural, artistic and literary activities at that time. Created and promoted by the Ministry of Finance, Culture and Propaganda, the exhibition set out the artists’ mission as the presentation of the great history and ‘great national spirit’ ( wěidà mínzú jīngshén ) of the people of China and ‘the cultivation and spreading of the national spirit’ (péiyǎng hé hóngyáng mínzú jīngshén) . This was realised through the media of oil painting, sculpture and traditional Chinese painting, with oil paintings, as the traditional tool of representation, taking up the biggest part of the exhibition. Based on Erwin Panofsky’s art-historical method of the three-stage model, the text explores and displays the iconographical and iconological meaning of one representative painting: The March of the Volunteers

Archaeology · Art · Art history · China · Christian ministry · Exhibition · History of art · Iconography · Iconology · Oil painting · Painting · People's Republic · Political science · Sculpture · The Republic · Theology · Visual arts · Cultural Heritage Management and Preservation · Digital Media and Visual Art · History · Law · Philosophy · Sustainable Urban and Rural Development · Architecture

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    Open Access•Michael J Sullivan, Michael Sullivan•The China Quarterly•1999

  • The Theme of Spiritual Pollution in Chinese Films of the 1930s

    Open Access•Paul G Pickowicz•Modern China•1991

  • Oil Paintings and Politics

    Open Access•Chang-Tai Hung•Comparative Studies in Society…•2007

Citation velocityhistorical
Highly citedNo

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