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Last Screens of Malaya

Preserving the Traditional Wayang Pacak through Documentaries

Bibliographic Data

ID22357537
AuthorsYuen Beng Lee (0000-0002-3483-0913, Sunway University), Mohd Firdaus Mohd Anuar (0000-0001-6310-3961, Sunway University), Liew Kah Kai (Sunway University), Maslisa Zainuddin (0000-0002-5594-5672, Sunway University), Zuhaili Akmal Ismail (Sunway University), Delas Santano (0000-0002-5580-5557, Sunway University), Jerry Tan and Gnana Selvan Edward Peter (Sunway University)
Year2025
Volume3
Issue8
Publication date2025-01-02
Open AccessYes
TypeARTICLE
VenueJournal of Ecohumanism (JOURNAL)
Journal identifiersISSN: 2752-6798 • E-ISSN: 2752-6801
PublisherCreative Publishing House (PUBLISHER • GB)
DOI10.62754/joe.v3i8.5672
OpenAlexW4405994026
LanguageEN
References cited3

In recent decades, cultural heritage and archiving have become vital for preserving and making heritage more accessible. Improving techniques for preservation is essential for safeguarding a country’s intellectual and economic wealth, enabling better conservation, cost savings, and wider distribution. Cinema, as both physical and intangible cultural property, plays a key role in this process through research-creation, which combines art, theory, and research. This approach also allows documenting intangible cultural heritage, challenging traditional methods by focusing on audience experiences, screening schedules, exhibition formats, and film reception. This paper is the first to discuss Malaysia's traditional 35mm Wayang Pacak using SDG Target 11.4—protecting the world’s cultural and natural heritage—as its framework. It offers insights into the socio-cultural influences, technical evolution, historical development, and characteristics of Wayang Pacak using archival research and case studies. Additionally, it examines the collaborative research-creation process involving academics, filmmakers, and sound specialists in documentary production. Ultimately, this project aims to celebrate and preserve the Wayang Pacak, sharing it with both local and global audiences

Art · Art history · Visual arts · Asian Culture and Media Studies · Asian Studies and History · Socioeconomic Development in Asia

  • Undisciplined

    Open Access•E Truman•Qualitative Inquiry•2022

  • Cinema as (Tangible and Intangible) Cultural Heritage

    Open Access•Gianluigi Mastandrea Bonaviri•McGill GLSA Research Series•2022

  • Case Study Method

    Open Access•Yahya Rashid, Ammar Rashid et al.•International Journal of…•2019

Highly citedNo

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