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Cultural Aesthetics of Human Body

A Contemporary Interpretation through Traditional Chinese Ink Artistry

Bibliographic Data

ID22359802
AuthorsFulong Liu (0000-0003-1085-5515), Mohammad Khizal Mohamed Saat (0000-0002-9142-628X, Universiti Sains Malaysia), Sheng Li (0000-0002-9662-9385, University of Malaya)
Year2025
Volume4
Issue1
Publication date2025-02-03
Open AccessYes
TypeARTICLE
VenueJournal of Ecohumanism (JOURNAL)
Journal identifiersISSN: 2752-6798 • E-ISSN: 2752-6801
PublisherCreative Publishing House (PUBLISHER • GB)
DOI10.62754/joe.v4i1.6213
OpenAlexW4407155756
LanguageEN

In contemporary artistic discourse, Dissociative Identity Disorder has emerged as a significant focus of cultural exploration. While the human body serves as a cultural vessel for expressing mental states through artistic mediums, traditional Chinese ink painting—despite its rich cultural heritage—has historically limited visual representation of the human form, creating a gap in artistic dialogue about mental health. This artistic research employs studio practice methodology to bridge traditional Chinese artistic elements with contemporary visual expression of the human body, specifically examining Dissociative Identity Disorder through a cultural lens. The findings demonstrate that through cultural innovation while preserving the essence of Chinese ink painting traditions, the human form can be effectively rendered to portray the psychological manifestations of Dissociative Identity Disorder. This artistic exploration not only expands the cultural vocabulary of Chinese ink painting but also creates a new artistic paradigm for its evolution in contemporary cultural discourse

Aesthetics · Art · Cultural identity · Linguistics · Sociology · Visual arts · Art Therapy and Mental Health · Empathy and Medical Education · Philosophy · Psychology · Psychosomatic Disorders and Their Treatments · Social Psychology

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