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Performing Mass Murder

Constructing the Perpetrator in Documentary Film

Datos Bibliográficos

ID2236802
AutoresSimon Philpott (Newcastle University, autor de correspondencia)
Año2017
Volumen11
Número3
Páginas257-272
Fecha de publicación2017-09-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaInternational Political Sociology (JOURNAL)
Identificadores de la revistaISSN: 1749-5679 • E-ISSN: 1749-5687
EditorialOxford University Press (PUBLISHER • GB)
DOI10.1093/ips/olx011
OpenAlexW2612868599
IdiomaEN
Citas recibidas5
Referencias citadas21

The massacre, torture, persecution, and imprisonment of real and imagined communists and sympathizers in mid-1960s Indonesia was among the greatest state-sponsored atrocities of the twentieth century and yet remains little known and even less understood outside Indonesia. An elaborate mythology about the supposed communist coup attempt of September 1965 was foundational to the military government’s legitimacy discourses. The dead, the tortured, and the imprisoned remained an existential threat to Indonesia’s survival according to these discourses, and yet they could not be spoken of, or acknowledged without fear of retribution from the state. This article explores one attempt to break the silence surrounding the massacres and to make visible the suffering of millions of Indonesians; it does so through an analysis of the documentary film, The Act of Killing, in which a number of those involved in mass murder re-enact their killings. It explores the contribution of the film to understanding the politics of mass murder through an interrogation of the history it purports to address and through the methods employed by filmmaker Joshua Oppenheimer. It concludes that while the film is a singular achievement, it fails as a political intervention aimed at deepening understanding of the mass killings.

Aesthetics · Art · Art history · Criminology · Film director · Human rights · Imprisonment · Injustice · Interrogation · Legitimacy · Mass incarceration · Movie theater · Persecution · Political science · Politics · Prison · Silence · Sociology · State (computer science) · Torture · Asian Studies and History · Communism, Protests, Social Movements · History · Law · Vietnamese History and Culture Studies

  • Assemblages of conflict termination

    Open Access•Cahir O’doherty•International Relations•2023

  • Death, Grief, and Mourning in an Icty Film

    Open Access•Caitlin Biddolph•International Studies Quarterly•2024

  • Movement, Space, and Torture

    Open Access•Maevia Griffiths, M Masini et al.•International Political Sociology•2026

  • Civic Psychological Safety

    Open Access•Catalina Carpan•Theoria•2025

  • Visual violence in global politics

    Open Access•Gabi Schlag•European Journal of International…•2025

  • Australian Reporting of the Indonesian Killings of 1965–66

    Open Access•Ross Tapsell•Australian Journal of Politics &…•2008

  • The Department of External Affairs, the ABC & Reporting of the Indonesian Crisis 1965–1969

    Open Access•Karim Najjarine, Drew Cottle•Australian Journal of Politics &…•2003

  • Show of force

    Open Access•Joshua Oppenheimer, MICHAEL UWEMEDIMO•Critical Quarterly•2009

  • Cold War scripts

    Open Access•Katharine Mcgregor•South East Asia Research•2016

  • Genocide Films, Public Criminology, Collective Memory

    Open Access•M Brown, Maria T Brown et al.•The British Journal of Criminology•2013

  • We Wish to Inform You That Tomorrow We Will Be Killed with Our Families

    Philip Gourevitch•We Wish to Inform You That…•1999

  • Genocide in Indonesia, 1965‐1966

    Roger Cribb, Robert Cribb•Journal of Genocide Research•2001

  • Just Images

    Open Access•Eamonn Carrabine•The British Journal of Criminology•2012

  • The State of Knowledge about an Open Secret

    Open Access•John Roosa•The Journal of Asian Studies•2016

Obras citantes distintas5
Citas por año1,67
Intervalo de citas2023 - 2026 (4)
Velocidad de citacióncurrent
Altamente citadoNo
Tipos de citaNeutras: 4
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