Jenine Marsh
Harbinger, at Kitchener-Waterloo Art Gallery, Ontario
Bibliographic Data
| ID | 22416465 |
|---|---|
| Authors | Danica Pinteric (corresponding author) |
| Year | 2026 |
| Volume | 37 |
| Issue | 73 |
| Pages | 150-152 |
| Publication date | 2026-04-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Public (JOURNAL) |
| Journal identifiers | ISSN: 0845-4450 • E-ISSN: 2048-6928 |
| Publisher | Intellect (PUBLISHER • GB) |
| DOI | 10.1386/public_00302_4 |
| OpenAlex | W7165370674 |
| Language | EN |
This review of Jenine Marsh’s solo exhibition at the Kitchener Waterloo Art Gallery (KWAG) evaluates the dominant themes in the artist’s material and conceptual oeuvre. I address Marsh’s ongoing interest in utopian gestures, coin-wishing, and her critique of capitalist acceleration, framing these themes in the context of her immersive approach to sculptural installation at KWAG. I also consider how her past project, Wellspring (2023) at Nathan Phillips Square, established a precedent of immersive installation in Marsh’s practice that engages audiences to reflect on social structures they too, are implicated within.
Exhibition · Intellect · Art, Politics, and Modernism · Posthumanist Ethics and Activism · Theatre and Performance Studies
| Citation velocity | historical |
|---|---|
| Highly cited | No |