Transportable but untranslatable?
A style-sensitive approach to the Russian translation of Virginia Woolf’s essay On Being Ill
Bibliographic Data
| ID | 22429704 |
|---|---|
| Authors | Julie Deconinck (0000-0002-1691-4785, Ghent University, corresponding author) |
| Year | 2026 |
| Publication date | 2026-06-12 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | English Text Construction (JOURNAL) |
| Journal identifiers | ISSN: 1874-8767 • E-ISSN: 1874-8775 |
| Publisher | John Benjamins Publishing Company (PUBLISHER • NL) |
| DOI | 10.1075/etc.25012.bat |
| OpenAlex | W7164512050 |
| Language | EN |
| References cited | 13 |
This paper examines Virginia Woolf’s distinctive English and the challenges of translating it into Russian. To this end, it provides an analysis of Woolf’s essay On Being Ill , considering the stylistic features which define her language. This includes separating subjects and predicates with multiple subordinate clauses, parataxis, and mixing direct and indirect discourse. Woolf’s prose rhythm is created through alternating long and short sentences, repeating syntactic structures, pairing homogeneous elements, anaphora, inversion, and parenthesis. She also uses words similar in sound and rhythm. Moreover, translating Woolf’s work involves not just linguistic but also cultural transference, as her texts contain hidden quotations. All its features are a challenge for the translator who has chosen a style-sensitive approach.
Homogeneous · Rhythm · Discourse Analysis in Language Studies · Lexicography and Language Studies · Translation Studies and Practices
| Citation velocity | historical |
|---|---|
| Highly cited | No |