The dialogical collective
Mediumship, pain, and the interactive creation of Ndyuka Maroon subjectivity
Bibliographic Data
| ID | 2252835 |
|---|---|
| Authors | E Strange (0000-0002-1957-5387, Yale-NUS College; 16 College Ave W, #01-220 Singapore 138527, corresponding author), Stuart Earle Strange (Yale-NUS College; 16 College Ave W, #01-220 Singapore 138527) |
| Year | 2016 |
| Volume | 22 |
| Issue | 3 |
| Pages | 516-533 |
| Publication date | 2016-09-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of the Royal Anthropological Institute (JOURNAL) |
| Journal identifiers | ISSN: 1359-0987 • E-ISSN: 1467-9655 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/1467-9655.12444 |
| OpenAlex | W2474328978 |
| Language | EN |
| Citations received | 7 |
| References cited | 45 |
This article explores how pain ritually assists in producing Afro-Surinamese Ndyuka Maroon understandings of subjectivity and the self. Ndyuka discourses conceive persons as composites of multiple human and spirit others. I describe how these discourses emerge dialogically during oracular interactions between possessed mediums and their patients. Beginning as inarticulate sensations, personal pain is ritually transformed into identifiable spirits who expose their hosts as embodiments of past and present social relations. Over the course of oracular interactions, the qualities of physical pain are made to communicate that the pain is both an identity and a vital part of the sufferers' embodied self. In parallel to this process, spirit mediums perform pain in possession to establish the origins of their authority in relations with spirits. Ritually transforming pain into identities of relation, Ndyuka oracular mediumship persuades patients to re-evaluate their subjective experiences as innate evidence of Ndyuka social ideology. Résumé Le présent article explore la manière dont la douleur aide rituellement à produire les compréhensions de la subjectivité et du Moi chez les Ndyuka, un groupe de Noirs marrons afro-surinamais. Dans les discours des Ndyuka, la personne est conçue comme un composite de plusieurs autres, humains et esprits. L'auteur décrit l'émergence dialogique de ces discours pendant les interactions oraculaires entre les médiums possédés et leurs patients. La douleur personnelle, commençant par des sensations informulées, est rituellement transformée en esprits identifiables par lesquels leurs hôtes se révèlent incarner des relations sociales passées et présentes. Au cours des interactions oraculaires, les qualités de la douleur physique servent à faire passer la notion que la douleur est à la fois une identité et une part vitale du Moi incarné de celui qui souffre. Parallèlement, les médiums spirites mettent en scène la douleur pendant la possession afin d'établir la source de leur autorité dans les relations avec les esprits. Par la transformation rituelle de la douleur en identités relationnelles, la médiumnité oraculaire des Ndyuka persuade les patients de réévaluer leur expérience subjective comme une preuve innée de l'idéologie sociale ndyuka
Art · Epistemology · Ethnology · Humanities · Maroon · Psychoanalysis · Sociology · Subjectivity · Visual arts · Anthropological Studies and Insights · Indigenous Health, Education, and Rights · Language, Discourse, Communication Strategies · Philosophy · Psychology
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| Unique citing works | 7 |
|---|---|
| Citations per year | 0,78 |
| Citation span | 2017 - 2024 (8) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 7 |