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Resumo

Iphi, an unemployed actor in austerity‐ridden Greece, imagines a theatre adaptation of a classic tragedy,Iphigenia at Aulis, in which the heroine is sacrificed on the altar of austerity by politicians. While writing her playscript, Iphi has a dream: she is taken to the sacrificial altar, not by politicians, but by her own parents, the generation who lived through the affluent years before austerity. Iphi's generational‐analogical thinking introduces a politically inspiring historicity, which offers insights into the accountability of austerity. It also allows us to reassess the notion of generations as a local category and an anthropological analytical construct. The article indicates the emergence of an as yet not fully articulated generational awareness – a new structure of feeling – about austerity, which is outlined here as it develops in an incipient form. I argue that the emerging generational historicity communicates a critical message, but also hides from view less visible inequalities.

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