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From mammoth to miniature

Model of a summer encampment of the Yakuts' as a narrative object

Bibliographic Data

ID2254672
AuthorsAlison K Brown (0000-0001-6629-1363, University of Aberdeen), Alison Brown (0000-0003-3998-7212, University of Aberdeen, corresponding author)
Year2025
Volume32
Issue1
Pages111-131
Publication date2025-07-16
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of the Royal Anthropological Institute (JOURNAL)
Journal identifiersISSN: 1359-0987 • E-ISSN: 1467-9655
PublisherWiley (PUBLISHER • GB)
DOI10.1111/1467-9655.14289
OpenAlexW4413089304
LanguageEN
References cited42

Classic anthropological accounts of miniature objects have focused on their spatial and aesthetic dimensions, with more recent work addressing their communicative potential, connections with play, and role in protecting threatened cultural knowledge. This article analyses responses to a miniature landscape model of yhyakh, a festival celebrated in the Republic of Sakha (Yakutia), Russian Federation, carved from mammoth ivory in the mid-nineteenth century and now in the British Museum. Based on fieldwork with artists following the model's loan to the National Art Museum, Yakutsk, and in the British Museum, I argue that while the model's reduced scale is part of its fascination, its material and temporal dimensions and its cultural associations - its 'mammothness' - are inseparable. Mammothness both enhances the model's narrative capacity and prompts consideration of the temporal dimensions of materials as well as of objects

Aesthetics · Archaeology · Art · Linguistics · Literature · Mammoth · Narrative · Object (grammar · Sociology · Threatened species · Visual arts · Anthropological Studies and Insights · Anthropology · Geographies of human-animal interactions · History · Indigenous Studies and Ecology · Philosophy · Ecology

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Citation velocityhistorical
Highly citedNo

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