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Making transnational publics

Circuits of censorship and technologies of publicity in Kurdish media circulation

Bibliographic Data

ID2260445
AuthorsSuncem Kocer (0000-0001-5507-2448, Department of Public Relations and Information Kadir Has University Cibali Mah. Fatih/Istanbul 34083 Turkey, corresponding author)
Year2013
Volume40
Issue4
Pages721-733
Publication date2013-11-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueAmerican Ethnologist (JOURNAL)
Journal identifiersISSN: 0094-0496 • E-ISSN: 1548-1425
PublisherWiley (PUBLISHER • GB)
DOI10.1111/amet.12050
OpenAlexW2102267596
LanguageEN
Citations received11
References cited19

Kurdish media producers who interweave social and political agendas with their filmmaking are often marginalized within Turkish media worlds. Impeded by national censorship, these filmmakers move between national and transnational media worlds to advance their cinematic work. Such movement helps them create and maintain transnational publics that reinforce circulation of their media texts. Here I analyze how a documentary film about a seminomadic Kurdish community moves through international screening venues. As it journeys through film festivals in Europe, its director, Kazim Öz, accompanies it and, through deliberate discourse, attempts to increase and accelerate the film's transnational circulation. I explore the ways that Öz discursively globalizes his film, relates it to festival audiences, flags the politics of Kurdish media production, and seeks to construct a European public sensitive to the plight of Turkey's Kurds

Censorship · Circulation (fluid dynamics · Filmmaking · Media studies · Movie theater · Political science · Politics · Public sphere · Publicity · Publics · Sociology · Turkish · Gender Politics and Representation · Gender, Security, and Conflict · History · Law · Turkey's Politics and Society

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Unique citing works11
Citations per year0,92
Citation span2014 - 2025 (12)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 11

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