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Self-Othering

Stories about Serbia from externalized Belgrade insiders

Datos Bibliográficos

ID2260486
AutoresRobert M Hayden (0000-0002-4379-3325, University of Pittsburgh, autor de correspondencia), Robert Hayden (0000-0002-8224-9103, Department of Anthropology University of Pittsburgh 3302 WWPH Pittsburgh PA 15260)
Año2014
Volumen41
Número1
Páginas187-192
Fecha de publicación2014-02-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaAmerican Ethnologist (JOURNAL)
Identificadores de la revistaISSN: 0094-0496 • E-ISSN: 1548-1425
EditorialWiley (PUBLISHER • GB)
DOI10.1111/amet.12069
OpenAlexW1625064526
IdiomaEN
Citas recibidas3
Referencias citadas4

If ethnography is a literary form, can fiction also serve its purposes equally well? Comparison of the analyses of Serbian culture in the 1990s in the two scholarly studies and the novel reviewed here brings this question to the fore. The authors are Belgrade natives who left for North America in the 1980s and write in English for an American audience. They are, thus, externalized insiders. All exoticize their native land, reproducing Orientalist images of Serbia common in writings about the Balkans. Despite the literary turn in anthropology, the novelist still conveys the complexities of life in 1990s Serbia better than the more theoretically oriented and self-reflexive scholarly authors. To this reviewer, an American who joined a Belgrade family in the 1980s and is thus an internalized outsider, there is at least as much verisimilitude in the novel's magical realism as there is in the scholarly analyses of imaginaries

Aesthetics · Art · Ethnography · Exoticism · Linguistics · Literature · Magic realism · Orientalism · Realism · Reflexivity · Serbian · Sociology · Verisimilitude · Anthropology · Balkans: History, Politics, Society · History · Memory, Trauma, and Commemoration · Philosophy · Turkey's Politics and Society

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Obras citantes distintas3
Citas por año0,43
Intervalo de citas2019 - 2024 (6)
Velocidad de citaciónrecent
Altamente citadoNo
Tipos de citaNeutras: 3
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