The Collective Image of the City

Informal Taxis and the Production of Vernacular Toponyms in Tashkent, Uzbekistan

Dados Bibliográficos

ID2263265
AutoresNikolaos Olma (0000-0001-8701-5165, Leibniz‐Zentrum Moderner Orient Berlin Germany)
Ano2023
Volume35
Fascículo2
Páginas101-111
Data de publicação2023-08-01
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoCity & Society (JOURNAL)
Identificadores do periódicoISSN: 0893-0465 • E-ISSN: 1548-744X
EditoraWiley (PUBLISHER • GB)
DOI10.1111/ciso.12451
OpenAlexW4363677551
IdiomaEN
Citações recebidas3
Referências citadas39

Decades of politically motivated place renaming have prompted the population of Tashkent, the capital of Uzbekistan, to adopt a bottom-up vernacular toponymic register, wherein locations are indicated in relation to points of reference known as orientiry. Orientiry take cues from the built environment and are generated through the population's affective pluritemporal engagements with the city. Accordingly, they can take different material forms, but they can also be dropped or discursively replaced by new ones situated temporally or physically closer to the population's everyday experiences. This article argues that orientiry are kept more or less coherent by the need for Tashkent dwellers to indicate locations to their fellow residents and especially to Tashkent's informal taxi drivers. Orientiry are proliferated and standardized by the exchange of environmental information that occurs between driver and passenger as they find their way through various places and temporalities. The article demonstrates how a combination of cognition, affect, and social stimuli shapes wayfinding in Tashkent, revealing the city's orientiry as a representation of a collective image of the city-an assemblage of individual mental maps that overlap, interfere, contradict, and exclude one another and yet remain functional by similar habitual use of the city

Geographies of human-animal interactions · Public Spaces through Art · Religious Tourism and Spaces