Plastination for Display
A New Way to Dispose of the Dead
Bibliographic Data
| ID | 2266519 |
|---|---|
| Authors | Tony Walter (0000-0001-9571-5225, University of Reading, corresponding author) |
| Year | 2004 |
| Volume | 10 |
| Issue | 3 |
| Pages | 603-627 |
| Publication date | 2004-09-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of the Royal Anthropological Institute (JOURNAL) |
| Journal identifiers | ISSN: 1359-0987 • E-ISSN: 1467-9655 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/j.1467-9655.2004.00204.x |
| OpenAlex | W2157486342 |
| Language | EN |
| Citations received | 24 |
| References cited | 36 |
Plastination provides a new method, governed by medical technique rather than religious ritual, by which human remains may be transformed from unstable/wet to stable/dry. In the Körperwelten/Body Worlds exhibition, the public pay to view plastinated bodies, and are invited to donate their bodies for plastination after death. This article addresses the question of whether Body Worlds visitors accept plastination for display as a legitimate form of disposal. Three sources of data are drawn on: the ethnographer's account of his first visit to the exhibition in Brussels; the written comments of visitors to the London exhibition; and the stated motives of some donors. Plastination as final disposal is accepted by the vast majority of visitors; they perceive the dry, odourless body interiors within the clinical, scientific framework encouraged by the exhibition, and are often fascinated by what they see. This is complicated, however, by certain surface features and modes of display which enable the problematic reinsertion of personhood. So, plastination itself is accepted, but not all forms of display
Aesthetics · Archaeology · Art · Dead body · Dispose pattern · Exhibition · Sociology · Visual arts · Body Image and Dysmorphia Studies · Death, Funerary Practices, and Mourning · Engineering · History · Museums and Cultural Heritage
Respectful Disposal
Hitchhiking and the Production of Haptic Knowledge
The Anthropology of the Beginnings and Ends of Life
Should we display the dead
Fear of the dead, fear of death
The commodification of the criminal corpse
I See Dead People
A Beautiful Corpse
Life’s end
Mediator Deathwork
Doing Gender’ at Body Worlds
It's a personal thing
Exhibition Ethics - An Overview of Major Issues
Inventing the Bodily Interior
Cadavres et churinga
Body Worlds' plastinates, the human/nonhuman interface, and feminism
Dead meat
The Crossroads of Plastination and Pilgrimage
Exposição de corpos humanos
Terror, corpse symbolism, and taboo violation
The body as interactive display
Touching the corpse
Body Worlds
Thinking with Ngangas
Last rites
Into the Valley
Consuming Grief
Death and Social Structure †
Celebrations of Death
Medicine, Rationality and Experience
The Death Rituals of Rural Greece
Death and the Regeneration of Life
Pain as Human Experience
Last Rites
Prey into Hunter
Museums and the Shaping of Knowledge
Religion in Contemporary Japan
Beyond the Body
The birth of the museum
Changing Values in the Art Museum
Public Anatomy Lessons and the Carnival
Bodyworlds
The Anatomy of Disgust
Exhibiting Interaction
Body Worlds
Flowers and Bones
| Unique citing works | 24 |
|---|---|
| Citations per year | 1,09 |
| Citation span | 2004 - 2025 (22) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 24 |