The Impression Management Techniques of the Burlesque Comedian
Bibliographic Data
| ID | 2273764 |
|---|---|
| Authors | Marilyn Salutin (York University, corresponding author) |
| Year | 1973 |
| Volume | 43 |
| Issue | 2 |
| Pages | 159-168 |
| Publication date | 1973-04-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Sociological Inquiry (JOURNAL) |
| Journal identifiers | ISSN: 0038-0245 • E-ISSN: 1475-682X |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/j.1475-682x.1973.tb00713.x |
| OpenAlex | W2116409846 |
| Language | EN |
| Citations received | 3 |
| References cited | 14 |
This discussion is an in-depth study of burlesque comics. The basic argument is that burlesque comics, like other marginal members of society, manipulate their behaviour so as to present a more favourable self-image than the one in play in negative stereotypes. They have a detailed knowledge of the social sexual norms of the more conventional members of society and use this knowledge alternately to pass as respectable citizens and to play the role of comic in the burlesque performance
Aesthetics · Argument (complex analysis) · Art · Burlesque · Comics · Impression management · Literature · Media studies · Social science · Sociology · Digital Games and Media · Gender, Feminism, and Media · Media, Gender, and Advertising
Reflections on community studies
Studies in ethnomethodology
Symbolic interaction
The social construction of reality
The Presentation of Self in Everyday Life
The phenomenology of the social world
Field Methods and Techniques
Invitation to Sociology
Problems of Inference and Proof in Participant Observation
Deviance and Respectability
Field Methods and Techniques
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,07 |
| Citation span | 1985 - 2006 (22) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 3 |