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Imágenes de la muerte y necropolítica de la dictadura en Chile

Bibliographic Data

ID2285284
AuthorsJ Pavez Ojeda (0000-0003-0685-2290, University of Tarapacá, corresponding author)
Year2022
Volume27
Issue4
Pages512-527
Publication date2022-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Journal of Latin American and Caribbean Anthropology (JOURNAL)
Journal identifiersISSN: 1935-4932 • E-ISSN: 1935-4940
PublisherWiley (PUBLISHER • GB)
DOI10.1111/jlca.12643
OpenAlexW4313332102
LanguageES
References cited11

Violent death and forced disappearance, as necropolitical operations of the dictatorship of Augusto Pinochet (Chile, 1973-1990), has been the subject of a war of images where the naturalization of disappearance and the invisibilization of violence were confronted by images created to make visible what state terrorism had tried to erase from historical memory. This article addresses the becoming-image of these bodies, after their organic death, in the different temporalities of their inscription in social memory through art, cinema, anthropology, and the law. I offer thus a journey into a little explored dimension of necropolitics, such as attempts to manage time and memory through operations of concealment and the technopolitics of images. The written montage of Walter Benjamin's "dialectical images," which juxtapose, condense, and intertwine heterogeneous temporalities, seeks to show how images of the dead can contribute to disabling the necropolitical administration of memory

Aesthetics · Art · Art history · Dialectic · Dictatorship · Epistemology · Historical memory · Humanities · Movie theater · Political science · Politics · Sociology · State (computer science · Temporalities · Temporality · History · Latin American Literature Studies · Law · Memory, violence, and history · Philosophy · Political and Social Dynamics in Chile and Latin America

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Citation velocityhistorical
Highly citedNo

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