Writing opacity
Going beyond pseudonyms with spirit portraiture
Bibliographic Data
| ID | 2290957 |
|---|---|
| Authors | Vita Peacock (0000-0001-5645-3242, Department of Digital Humanities King's College London London UK) |
| Year | 2024 |
| Volume | 47 |
| Issue | 1 |
| Pages | 90-97 |
| Publication date | 2024-05-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | PoLAR Political and Legal Anthropology Review (JOURNAL) |
| Journal identifiers | ISSN: 1081-6976 • E-ISSN: 1555-2934 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/plar.12560 |
| OpenAlex | W4396659376 |
| Language | EN |
| Citations received | 1 |
| References cited | 15 |
What does it mean to go beyond pseudonyms? Building on fieldwork with privacy and data protection advocates in Germany, this article incorporates ethical imperatives coming from within and beyond the field, to develop a different mode of writing it calls spirit portraiture. This entails characterizing natural persons, without including any personal data through which they could be re-identified, with or without the use of computing. Drawing on three ethnographies that already go beyond pseudonyms, it repositions the axis of representation away from revelation and concealment-that pivots around a monist notion of empirical truth-towards opacity and legibility-that pivots instead around its own point of intervention
Anthropological Studies and Insights · Geographies of human-animal interactions · Sex work and related issues
Max Weber on the Methodology of the Social Sciences
Dark Territory in the Information Age
Mohawk Interruptus
Radical Secrecy
Biometric State
‘Is Anthropology Legal?’
Participatory Research in Mesoamerica and Data Protection in Europe (and Elsewhere)
Insurgent Encounters
Defacement
Anthropology and emotion
Epistemophilic obsessions
Governing Opacity
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,5 |
| Citation span | 2024 - 2024 (1) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 1 |