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Resumo

If we were to take the traditional, reified, thought‐to‐be‐disappearing subject of anthropological and governmental capture and erasure and flip the expectations that both structure and then attempt to govern this subject, what would we make of what they say or do or look? This commentary piece reflects on the decolonizing politics embedded within Indigenous cultural interventions, focusing in particular on two specific interventions: the 'Desert Animations' traveling exhibition of experimentation in Central and Western Desert arts, and the Karrabing Indigenous Film Collective filmography.

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