The Cold Warrior Between Sense and Sensibility. Reintroducing "The Spy Who Came in From the Cold" (1963).
Bibliographic Data
| ID | 22935284 |
|---|---|
| Authors | Marie Cronqvist (0000-0003-2340-3729, corresponding author) |
| Year | 2003 |
| Issue | 3 |
| Publication date | 2003-08-29 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Kvinder Køn & Forskning (JOURNAL) |
| Journal identifiers | ISSN: 0907-6182 • E-ISSN: 2245-6937 |
| Publisher | Det Kgl. Bibliotek/Royal Danish Library (PUBLISHER) |
| DOI | 10.7146/kkf.v0i3.28255 |
| OpenAlex | W1859473288 |
| Language | EN |
Gennem dikotomierne vest og øst, god og ond, uskyld og skyld glorificerede koldkrigskulturen det maskuline. En analyse af John le Carrés spionthriller "The Spy Who Came in From the Cold"sætter imidlertid spørgsmålstegn ved de skarpt optegnede grænser mellem det gode og det onde.
Art · Art history · Carr · Cold war · Humanities · Literature · Political science · Sensibility · Theology · Intelligence, Security, War Strategy · Law · Literature, Film, and Journalism Analysis · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |