The appropriation of Flamenco heritage beyond its borders
The case of artists in Belgium
Bibliographic Data
| ID | 2294636 |
|---|---|
| Authors | Fernando Ruiz Morales (Ibero American University, corresponding author) |
| Year | 2011 |
| Volume | 6 |
| Issue | 3 |
| Pages | 490-511 |
| Publication date | 2011-09-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | AIBR Revista de Antropologia Iberoamericana (JOURNAL) |
| Journal identifiers | ISSN: 1578-9705 • E-ISSN: 1695-9752 |
| Publisher | AIBR - Asociacion de Antropologos Iberoamericanos en Red (PUBLISHER) |
| DOI | 10.11156/aibr.060304e |
| OpenAlex | W2327354107 |
| Language | EN |
| Citations received | 1 |
| References cited | 2 |
The following text is a product of various phases of research carried out between 2007 and 2010. This fieldwork was primarily conducted in Brussels and Ambers, but also in Mechelen, Gante, Roeselare, Lovaina, Vilvoorde, Kortrijk, Menen, Lokeren, Turnhout, Machelen and Bruges, (all in Flanders), as well as in diverse localities in Andalusia and in the Spanish State. The main objective of this investigation, focusing on the practices and discourses of the principal actors, was to contribute to the understanding of flamenco as a cultural phenomenon beyond its borders. This article attempts to show a representation of the intertwined meanings that artists create in respect to the construction of a flamenco heritage
Aesthetics · Appropriation · Art · Epistemology · Cultural History and Identity Formation · Diversity and Impact of Dance · Philosophy · Theater, Performance, and Music History
| Unique citing works | 1 |
|---|---|
| Citations per year | 0.13 |
| Citation span | 2018 - 2018 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |