Film Theory
Bibliographic Data
| ID | 22964701 |
|---|---|
| Authors | Dominic Lash (0000-0002-9840-2571, corresponding author) |
| Year | 2022 |
| Volume | 30 |
| Issue | 1 |
| Pages | 93-113 |
| Publication date | 2022-09-26 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Year s Work in Critical and Cultural Theory (JOURNAL) |
| Journal identifiers | ISSN: 1077-4254 • E-ISSN: 1471-681X |
| Publisher | Oxford University Press (OUP) (PUBLISHER) |
| DOI | 10.1093/ywcct/mbac002 |
| OpenAlex | W4285161635 |
| Language | EN |
| References cited | 13 |
This chapter discusses six notable books published in 2021 (with the exception of Shane Denson’s work, published in late 2020), chosen so as to illustrate both the depth and the breadth of the year’s work in film theory and criticism. It is divided into seven sections: 1. Shane Denson, Discorrelated Images; 2. Adriana Gordjuela, Flashbacks in Film; 3. Paul Coates, Comparative Cinema; 4. Anna Backman Rogers, Still Life; 5. Daniel Morgan, The Lure of the Image; 6. Hoi Lun Law, Ambiguity and Film Criticism; 7. Conclusion.
Ambiguity · Art · Art history · Criticism · Linguistics · Literature · Movie theater · Psychoanalysis · Contemporary Cultural and Social Studies · Evelyn Waugh and Hans Urs von Balthasar Studies · Philosophy · Psychology
| Citation velocity | historical |
|---|---|
| Highly cited | No |