Film Theory
Bibliographic Data
| ID | 22964840 |
|---|---|
| Authors | Gary Bettinson (0000-0002-7645-9075, corresponding author) |
| Year | 2019 |
| Volume | 27 |
| Issue | 1 |
| Pages | 160-180 |
| Publication date | 2019-11-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Year s Work in Critical and Cultural Theory (JOURNAL) |
| Journal identifiers | ISSN: 1077-4254 • E-ISSN: 1471-681X |
| Publisher | Oxford University Press (OUP) (PUBLISHER) |
| DOI | 10.1093/ywcct/mbz009 |
| OpenAlex | W4229681534 |
| Language | EN |
| References cited | 8 |
In this chapter I review six contributions to the field of film theory published in 2018: Carl Plantinga’s Screen Stories: Emotion and the Ethics of Engagement (Oxford University Press); Miklós Kiss and Steven Willemsen’s Impossible Puzzle Films: A Cognitive Approach to Contemporary Complex Cinema (Edinburgh University Press); Nicholas Godfrey’s The Limits of Auteurism: Case Studies in the Critically Constructed New Hollywood (Rutgers University Press); Peter Krämer and Yannis Tzioumakis’s The Hollywood Renaissance: Revisiting American Cinema’s Most Celebrated Era (Bloomsbury Academic); Dorothy Wai Sim Lau’s Chinese Stardom in Participatory Cyberculture (Edinburgh University Press); and Gina Marchetti’s Citing China: Politics, Postmodernism, and World Cinema (University of Hawaii Press). The chapter has three sections: 1. Cognition, Emotion, and Ethics; 2. The New Hollywood; 3. Contemporary Chinese Cinema.
Art · Art history · China · Film studies · Film theory · Hollywood · KISS (TNC) · Literature · Media studies · Movie theater · Political science · Politics · Postmodernism · Sociology · Cinema and Media Studies · History · Law
| Highly cited | No |
|---|