Black Critical and Cultural Theory
Datos Bibliográficos
| ID | 22964950 |
|---|---|
| Autores | Jeramy Decristo (autor de correspondencia) |
| Año | 2018 |
| Volumen | 26 |
| Número | 1 |
| Páginas | 248-264 |
| Fecha de publicación | 2018-11-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | The Year s Work in Critical and Cultural Theory (JOURNAL) |
| Identificadores de la revista | ISSN: 1077-4254 • E-ISSN: 1471-681X |
| Editorial | Oxford University Press (OUP) (PUBLISHER) |
| DOI | 10.1093/ywcct/mby013 |
| OpenAlex | W3112221758 |
| Idioma | EN |
| Referencias citadas | 10 |
This chapter reviews black critical and cultural theory under the following headings: 1. Introduction; 2. Black Performance Studies (Fred Moten, Black and Blur: Consent Not To Be a Single Being; and Malik Gaines, Black Performance on the Outskirts: A History of the Impossible); 3. Black Gender Studies (Riley Snorton, Black on Both Sides: A Racial History of Trans Identity); and 4. Black Music Studies (Paul Steinbeck, Message to Our Folks: The Art Ensemble of Chicago).
Aesthetics · Art · Art history · Black British · Black culture · Black music · Critical race theory · Critical theory · Epistemology · Identity (music) · Movement (music) · Race (biology) · Sociology · Anthropology · Cultural Studies · Gender Studies · Philosophy · Race, History, and American Society
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |