United as ONE
Live 8 and the Politics of the Global Music Media Spectacle
Bibliographic Data
| ID | 22996677 |
|---|---|
| Authors | C Michael Elavsky (0000-0002-0616-8790, Pennsylvania State University, corresponding author) |
| Year | 2009 |
| Volume | 21 |
| Issue | 4 |
| Pages | 384-410 |
| Publication date | 2009-12-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Popular Music Studies (JOURNAL) |
| Journal identifiers | ISSN: 1524-2226 • E-ISSN: 1533-1598 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/j.1533-1598.2009.01209.x |
| OpenAlex | W2093288568 |
| Language | EN |
| Citations received | 3 |
| References cited | 14 |
Art · Art history · Citation · Library science · Media studies · Performance art · Political science · Politics · Sociology · Spectacle · State (computer science) · American Political and Social Dynamics · Computer Science · History · Law · Media Studies and Communication · Music History and Culture
The New Transnational Activism
Modernity at large
Subculture
Rhythm
The Integrated News Spectacle, Live 8, and the Annihilation of Time
Globalisation and emancipation
Global citizenship as show business
Sociology Beyond Societies
Brief History of Neoliberalism
Acting in Concert
Materials for an exploratory theory of the network society1
Materials for an exploratory theory of the network society
The social space and the genesis of groups
| Citations per year | 0.19 |
|---|---|
| Citation span | 2010 - 2014 (5) |
| Highly cited | No |