The Live Concert Experience
An Introduction
Dados Bibliográficos
| ID | 23026197 |
|---|---|
| Autores | Nick Baxter‐Moore, Nick Baxter-Moore, Thomas M Kitts (0000-0002-2277-6948) |
| Ano | 2016 |
| Volume | 3 |
| Fascículo | 1 |
| Páginas | 1-4 |
| Data de publicação | 2016-01-02 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | Rock Music Studies (JOURNAL) |
| Identificadores do periódico | ISSN: 1940-1159 • E-ISSN: 1940-1167 |
| Editora | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/19401159.2015.1131923 |
| OpenAlex | W2306153484 |
| Idioma | EN |
| Citações recebidas | 8 |
The digital upheaval of the late 1990s and early 2000s, combined with changing consumer preferences and behavior, profoundly changed the political economy of popular music. Sales of recorded music ...
Advertising · Aesthetics · Art · Business · Media studies · Music festival · Political science · Politics · Popular music · Sociology · Visual arts · History · Music History and Culture
Ce que le livestream fait au live
Put your hand against the screen’
Stages, Platforms, Streams
Holographic Abba
Popular Music Fans and the Value of Concert Tickets
Exploring the lived experience associated with fan-made goods
Music and Spirituality
The game is on!' Eventness at a distance at a livestream concert during lockdown
| Obras citantes distintas | 8 |
|---|---|
| Citações por ano | 1 |
| Intervalo de citações | 2018 - 2025 (8) |
| Velocidade de citação | recent |
| Altamente citado | Não |
| Tipos de citação | Neutras: 8 |