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Fashioning the fab four

The visual identities of the Beatles

Bibliographic Data

ID23029018
AuthorsCharlotte Wilkins (Art historian), Ian Inglis (Northumbria University)
Year2015
Volume2
Issue2
Pages207-221
Publication date2015-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueFashion Style & Popular Culture (JOURNAL)
Journal identifiersISSN: 2050-0726 • E-ISSN: 2050-0734
PublisherIntellect (PUBLISHER • GB)
DOI10.1386/fspc.2.2.207_1
OpenAlexW2323810119
LanguageEN
Citations received3

Many historical analyses of the cultural impact of the Beatles have noted, but failed to explore, the overall significance of the group’s visual imagery. In a decade when fashion and music became recognized as two of the principal elements in British popular culture and quickly developed into profitable global businesses, the group’s stylistic choices and modes of display became crucial components of its continuing story. Inspired by influences drawn from the United States, Liverpool, Hamburg, London and India, the Beatles presented a succession of visual identities that charted their transition from a local, semi-professional group of musicians to international arbiters of taste and style. Their manipulation of new and existing styles also paralleled the Beatles’ departure from a career built around a collective sensibility to one characterized by the rejection of uniformity and the demonstration of an unexpected independence.

Aesthetics · Art · Collective identity · Independence (probability theory) · Literature · Political science · Postmodernism · Sensibility · Sociology · Style (visual arts) · Taste · Visual arts · Cultural Industries and Urban Development · Fashion and Cultural Textiles · History · Law · Music History and Culture · Psychology

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Unique citing works3
Citations per year0,75
Citation span2022 - 2024 (3)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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