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Glimmering Utopias

50 Years of African Film

Bibliographic Data

ID2303199
AuthorsCassis Kilian (0000-0002-1575-5874, Department of Anthropology and African Studies at the Johannes Gutenberg University in Mainz, Germany., corresponding author)
Year2010
Volume45
Issue3
Pages147-159
Publication date2010-12-01
Open AccessYes
TypeARTICLE
VenueAfrica Spectrum (JOURNAL)
Journal identifiersISSN: 0002-0397 • E-ISSN: 1868-6869
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/000203971004500308
OpenAlexW1804386211
LanguageEN
Citations received3
References cited9

The history of African film began in the 1960s with the independence of the colonies. Despite all kinds of political and economic difficulties, numerous films have been made since then, featuring wide-ranging processes of consolidation, differentiation and transformation which were characteristic of post-colonial sub-Saharan Africa. However, these feature films should not merely be viewed as back references to specifically African problems. The glimmering fictions are imagination spaces. They preserve ideas about how the post-colonial circumstances should be approached. Seen from this perspective, the history of African film may be studied as a history of African utopias

Archaeology · Art · Colonialism · Consolidation (business · Economics · History of Africa · Independence (probability theory · Perspective (graphical · Political science · Politics · Sociology · Visual arts · African history and culture studies · African Sexualities and LGBTQ+ Issues · African studies and sociopolitical issues · Anthropology · Gender Studies · History · Law · Mathematics

  • “They Drew An Entire People After Them”

    Sarah Jilani•Interventions•2021

  • Violence in Postcolonial African Film

    Open Access•Nyasha Mboti•Journal of Literary Studies•2014

  • Filmske Novosti

    Open Access•Mila Turajlić•Nationalities Papers•2021

  • Popular Films and Colonial Audiences

    Charles Ambler•The American Historical Review•2001

  • Popular Films and Colonial Audiences

    Charles Ambler•The American Historical Review•2001

  • Third Cinema in the Third World

    Robert Cancel, Teshome H Gabriel•African Arts•1985

  • Reimaging Gender and African Tradition? Ousmane Sembene's Xala revisited

    Aaron Mushengyezi•Africa Today•2004

  • John Wayne on the Zambezi

    James Burns•The International Journal of…•2002

  • Oral Literature and African Film

    Manthia Diawara•Présence Africaine•1987

  • Reimaging Gender and African Tradition? Ousmane Semb ne'sXalarevisited

    Aaron Mushengyezi•Africa Today•2004

Citations per year0.25
Citation span2014 - 2021 (8)
Highly citedNo

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