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«En los mayores peligros se conoce la amistad», auto sacramental de José de Valdivielso, representado en el Corpus hispalense de 1619. Estudio y reconstrucción virtual

Bibliographic Data

ID23034530
AuthorsMercedes de los Reyes Peña (Universidad de Sevilla), Vicente Palacios (0000-0002-8922-3598)
Year2017
Volume5
Issue2
Pages11-42
Publication date2017-11-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueHipogrifo Revista de literatura y cultural del Siglo de Oro (JOURNAL)
Journal identifiersISSN: 2328-1308 • E-ISSN: 2328-1308
PublisherInstituto de Estudios Auriseculares (PUBLISHER)
DOI10.13035/h.2017.05.02.03
OpenAlexW2768172741
LanguageES

This paper studies José de Valdivieso’s En los mayores peligros se conoce la amistad ( Friendship is best acknowledged when in danger ) one of the five autos sacramentales (Eucharistic morality plays) staged at the Corpus Christi feast in Seville, in 1619, by Diego de Vallejo. It also bears the title La amistad en el peligro (Friendship when in danger), and has never been published in a modern critical edition, though two published records (1622 and 1624) bear witness to the play, of which there are two 17 th Century manuscript versions extant. This article, based on contemporary records, studies the historical socio-religious- urban context of the Corpus Christi feast in Seville and virtually reconstructs the play’s performance, on pageant wagons, and its subsequent procession within the town.

Archaeology · Art · Context (archaeology) · Extant taxon · Friendship · Humanities · Procession · Sociology · Witness · Early Modern Spanish Literature · Historical Art and Architecture Studies · History · Medieval and Early Modern Iberia · Philosophy

Citation velocityhistorical
Highly citedNo

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