Cuántas versiones ofrece un autógrafo? Las intervenciones de autor en el autógrafo de El secreto a voces
Bibliographic Data
| ID | 23034597 |
|---|---|
| Authors | Simon Kroll (0000-0001-7530-8550, corresponding author) |
| Year | 2014 |
| Volume | 2 |
| Issue | 2 |
| Pages | 63-79 |
| Publication date | 2014-11-06 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Hipogrifo Revista de literatura y cultural del Siglo de Oro (JOURNAL) |
| Journal identifiers | ISSN: 2328-1308 • E-ISSN: 2328-1308 |
| Publisher | Instituto de Estudios Auriseculares (PUBLISHER) |
| DOI | 10.13035/h.2014.02.02.05 |
| OpenAlex | W1990413301 |
| Language | ES |
Pedro Calderón de la Barca never ceases to work. His constant interest to improve or adapt his texts has produced two versions of the same play in several occasions. His autographs allow us to examine his writing process as well as the theatrical practice in Golden Age Spain. In the autograph of «El secreto a voces», Calderón himself seems to delete up to 200 verses, nevertheless it also presents interventions by other hands. In this article, I will therefore try to distinguish between the authentic and non-authentic interventions in the autograph of «El secreto a voces».
Art · Art history · Autograph · Humanities · Literature · Early Modern Spanish Literature · Historical Art and Architecture Studies · Renaissance and Early Modern Studies · Spanish Literature and Culture Studies
| Highly cited | No |
|---|