Borges y Escher
El laberinto Barroco y las paradojas de la percepción del neo-Barroco
Bibliographic Data
| ID | 23034853 |
|---|---|
| Authors | Emanuele Leonardi (0000-0002-5473-2456, University of Palermo, corresponding author) |
| Year | 2016 |
| Volume | 4 |
| Issue | 2 |
| Pages | 219-235 |
| Publication date | 2016-11-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Hipogrifo Revista de literatura y cultural del Siglo de Oro (JOURNAL) |
| Journal identifiers | ISSN: 2328-1308 • E-ISSN: 2328-1308 |
| Publisher | Instituto de Estudios Auriseculares (PUBLISHER) |
| DOI | 10.13035/h.2016.04.02.16 |
| OpenAlex | W2559741214 |
| Language | ES |
| References cited | 1 |
In baroques labyrinths it get consumed the perverse pleasure of artificious complexity, the enthusiasm for a virtual architecture able to metaphorise the endless trajectories of an inextricable universe. One of the evidents signs of neo-baroque crisis in Borges’s poetics is, without doubts, the presence of labyrinth’s geometrical metaphors. Also Escher, through his graphics representations of the unestable equilibrium between illusion and disillusion, between decryption and ontological doubt, between figures possibles and impossibles, ends enrolling himself in the scope of neo-baroque crisis.
Art · Art history · Baroque · Escher · Humanities · Comparative Literary Analysis and Criticism · Computer Science · Latin American Literature Analysis · Philosophy · Spanish Literature and Culture Studies
| Citation velocity | historical |
|---|---|
| Highly cited | No |