Ordinary Egyptians
Creating the Modern Nation through Popular Culture
Bibliographic Data
| ID | 23136145 |
|---|---|
| Authors | Ziad Fahmy (0000-0003-1756-6791, corresponding author) |
| Year | 2011 |
| Publication date | 2011-01-01 |
| Open Access | No |
| Type | BOOK |
| Venue | Ordinary Egyptians (SOURCE_BOOK) |
| Publisher | Stanford University Press (PUBLISHER) |
| DOI | 10.1515/9780804777742 |
| OpenAlex | W4238850055 |
| Open Library | OL34843680M |
| ISBN | 9780804777742 |
| Language | EN |
| Citations received | 63 |
Art · Islamic Studies and History · Middle East and Rwanda Conflicts · Socioeconomic Development in MENA · 19th century · 20th century · Egypt · Egyptian National characteristics · History · National characteristics · Nationalism · Popular Culture
Anticolonial Afterlives in Egypt
Language Standardization ‘from Above’
The Cambridge Handbook of Language Standardization
Practicing Islam in Egypt
Public diplomacy and Ethio-Egyptian relation; enhancing mutual understanding on the Grand Ethiopian Renaissance Dam
The three faces of caliphatism
The Airwaves in Arabia
Is the Arab nahḍah really Arabic? Literary translingualisms in the nahḍah's contact zones
Imagined Musical Geographies in a Global Age
Wellbeing for the Blind and Visually Impaired
Claiming Ancient Egypt
YaskoT 7OKM EL3aSKaR
Jacquemond Richard Et Lagrange Frédéric (Dir.), Culture Pop en Égypte. Entre Mainstream Commercial Et Contestation
Minorities Are Like Microbes”
The revolutionary public sphere
Singing a New Future
Egyptian Family Planning Commercials
Lost and found, then lost again? The social history of workers and peasants in the modern Middle East
Middle East Historiography
History from Six‐feet Below
Coming to our Senses
The Dramatic Middle East
Sawt al‐Bahrain (1950–1954)
Negotiating the Lebanese national imaginary on and beyond the screen
Loud’ and ‘quiet’ politics
A generation of resistance
Small is beautiful but not trendy
La radio y la crisis de Suez, 1956
Debating Gandhi in al-Manar during the 1920s and 1930s
It’s just Arabic!”
Power and music in Cairo
Challenging Eurocentric narratives
Grown-Ups on White Plastic Chairs
Transnationalism from Below after the First World War
Arab Media Systems
Gramsci in the Postcolony
Listening to Shaykh Imam
The Rise of Islamic Society
Islam, Impero ottomano e nazionalismo nell’opera di Muṣṭafà Kāmil. Un equilibrio impossibile
Theater, Performance, and Affect
Production des classes moyennes » et émergence du « social » pendant la Nahda
The role of translation in language standardization
In the Shadow of Empire
Print Culture and Its Publics
Beyond the Urban
Arabic Theater in Early Khedivial Culture, 1868–72
An Earwitness to History
Impossible Is Not Ottoman”
The Egyptian Labor Corps
The Political Economy of Private Printing in Cairo as Told From a Commissioning Deal Turned Sour, 1871
Dārija and Changing Writing Practices in Morocco
Censuring Sounds
The Sounds of Nationalism
Where To? Filming Emigration Anxiety in Prewar Lebanese Cinema
The Acquisition of an Egyptian Phonological Variant by U.S. Students in Cairo
National Robin Hoods and Local Avengers
Domestic Sovereignty,A'yanDevelopmentalism, and Global Microhistory in Modern Egypt
Jurisdictional Borderlands
Afetos políticos antipredicativos e linguagem no pós-revolução do Egito urbano
La fabrique culturelle du nationalisme sous Bourguiba
Revisiting aNahḍaorigin story
Introduction to Special Section
To Die is Gain
| Unique citing works | 63 |
|---|---|
| Citations per year | 4,85 |
| Citation span | 2013 - 2026 (14) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 63 |